During our launch event, we discussed why Black people seem to be predisposed to disaster, premature death, and environmental injustices no matter where they live.
shares advice for young people who are interested in becoming involved in the media industry during his one-on-one conversation with Capital B Atlanta editor
We hope you’ve enjoyed #CapitalBLive as much as we’ve enjoyed introducing you to it. If you liked the past two days of programming, consider supporting
reminds us that we’re alive only because people fought for something they might never see, and presses us to do the same. “You work to build a better world because someday someone will, and because there are people who did that for you.” #CapitalBLive
says that the power is in the expansiveness of Black stories. "The beauty and the joy and the rebellion and the pain, all of those things matter." #CapitalBLive
He continues, “We know that symbols aren't just symbols. They're reflective of the stories that people tell and ... those narratives shape public policy. And public policy shapes the material conditions of people's lives.”
's “How the Word Has Passed” explores Black people's relationships to slavery across the U.S. and in Senegal, and how we can reconcile that history while living among symbols of white supremacy. #CapitalBLive
and his team go out of their way to create fun, chaotic personalities that remind you of the people you find in Black enclaves across in the U.S. “These are the colorful characters that when you’re growing up in these communities, you meet.” #CapitalBLive
figured he would do “serious” writing. But after a suggestion from his mom, he and his friends formed Cleo’s Apartment, a sketch comedy group that included Bashir Salahuddin, Robin Thede, Wyatt Cenac, South Side’s Nefetari Spencer, & Euphoria’s Nika King. #CapitalBLive
went down a lot of paths before settling in as a storyteller. Looking back, he says storytelling is the first thing that he did. “I figured out very early on that I wanted to tell stories. What got confusing was the kind of stories that I wanted to tell.” #CapitalBLive
Their personal manifesto, Tia says, is that they both write and produce for Black people. “Everything I write is for us, for Black women specifically. Whoever loves it outside of us, I'm so excited for that. But it is a gift for us specifically.” #CapitalBLive
“The George Floyd story in the mainstream became less and less about Black people who were historically the victims of a racist criminal justice system and more about the discovery that white people were going through in the moment.”
Tia notes how hard it was for people to take her novels seriously, because they weren’t about Black suffering. “If characters aren't getting over the trauma of Blackness to find happiness, [mainstream] didn't understand us in any other context.” #CapitalBLive
“If you were a Black kid interested in makeup, you had to be a scientist and get a bunch of stuff from the drugstore and figure it out yourself. I was always translating what I was consuming, but from a Black perspective.” - Tia Williams #CapitalBLive
They dive in by talking about Tia’s storytelling from two different angles, as a beauty journalist and also as a novelist. She had early obsessions with fashion magazines and romance novels, but didn’t see herself reflected in them. #CapitalBLive
says if you are thinking about making a change or creating your own path: Don’t wait, start. Now is the time for your big idea. If not you, then who?” #CapitalBLive
“Who are we talking about when we're talking about rural voters, educated voters, faith voters, right? Why not quote someone from an HBCU every time we want to talk to somebody from a college? These are choices we can make.”
what made her take the leap. “Political journalism was still way too white and way too male. The real risk felt like *not* trying to do something different.” #CapitalBLive
It wouldn't be a Friday in the pandemic without some technology issues. Thanks to everyone for sticking with us during some streaming issues. We're going to try to reboot the stream, so please stand by.
His advice for the next young Black storyteller: Set a goal and don't do anything that doesn't serve you getting to that goal. Learn more about ownership, and become more independent so you don’t have to worry about who isn’t letting you in. #CapitalBLive
notes that the industry more broadly doesn’t seem to understand his influence.
“Because I'm Black. If I were a white man, it would be a much different story.”-
…I didn't see that in New Orleans unless we were serving. To feel the pulse and energy of a place where Black people were welcome thriving, and running the city.”
’s work. His big tip for cultivating loyal audiences: “Super serve your niche, whatever the niche is. Super serve it. And I mean uber focus on them and everybody else will come. That's what I did.”
is serving, and to him, that’s fine. “I have learned a particular speak with my audience. Part of that is just being Black, and also it's being from the South. I know who I'm talking to."